How long have you been playing?
I starting plonking on my nan's piano when I was four, and nan ordered mum to find me a piano teacher. Through my childhood, when I got bored I added a new instrument to the mix. In my teens I rebelled by learning drums and guitar.
I have had nine non-musical jobs in my life, and I was sacked from all-but-one of them.
Contact Me Elsewhere:
Twitter: http://www.twitter.com/publicemilie
Facebook http://www.facebook.com/empeasgood
Sound Cloud: http://soundcloud.com/empeasgood
Website: http://www.empeasgood.com
Email: em@empeasgood.com
I have had nine non-musical jobs in my life, and I was sacked from all-but-one of them.
Contact Me Elsewhere:
Twitter: http://www.twitter.com/publicemilie
Facebook http://www.facebook.com/empeasgood
Sound Cloud: http://soundcloud.com/empeasgood
Website: http://www.empeasgood.com
Email: em@empeasgood.com
What was the first concert you ever went to?
Massive Attack, aged 17, at Sheffield Arena. It was mind blowing. I sat in an almost empty auditorium listening to Teardrop, drinking a cup of tea.
Nothing I have seen since has topped that performance, although The Waifs at Cambridge Folk Festival (2007) came close.
Nothing I have seen since has topped that performance, although The Waifs at Cambridge Folk Festival (2007) came close.
What gear do you use?
Nord Electro for gigging and Roland FP5 stage piano for home.
Golden Melody (Hohner) harmonica's.
Miyazawa flute.
My favourite guitar is my Washburn electro-acoustic but my most played guitar cost 29 from Argos in 1993.
I haven't gigged as a drummer in years due to a hand injury but have a vintage Premier Blue Oyster kit I found on ebay for 50 quid.
Golden Melody (Hohner) harmonica's.
Miyazawa flute.
My favourite guitar is my Washburn electro-acoustic but my most played guitar cost 29 from Argos in 1993.
I haven't gigged as a drummer in years due to a hand injury but have a vintage Premier Blue Oyster kit I found on ebay for 50 quid.
What are you looking for from Fandalism?
People to share the funk with.
Who was your biggest musical influence growing up?
I started going to the Grimsby folk club as a teen, but was hard-wired into the classical scene from a young age, mostly because that's what my music teachers taught me.
Moving to London was the best thing I did musically: I found Jazz, Blues, Latin, Funk, Soul, Indian classical music and world music.
During college I studied Opera but gigged as a Jazz singer. I wanted to do both but it didn't work: the freedom of jazz won out. I never fully appreciated my opera training until recently. It has really made me the singer I am.
Moving to London was the best thing I did musically: I found Jazz, Blues, Latin, Funk, Soul, Indian classical music and world music.
During college I studied Opera but gigged as a Jazz singer. I wanted to do both but it didn't work: the freedom of jazz won out. I never fully appreciated my opera training until recently. It has really made me the singer I am.
Are you in a band? Have you been in bands?
I'm taking a break right now to focus on writing my own material and to co-write with others.
I normally earn my bread gigging in jazz ensembles and covers bands but have been leading choirs and MDing a lot since 2010, and received my first big composition commission from Arts Council England this year.
I still bandlead Abnormally Funky, a wedding and party band made up of lovely jazz players and motherfunkers from the South East, and I perform around Kent with my funk band Emily and the Beats. I also do dep work and occasional jazz gigs.
Growing up, aside from playing folk clubs as a singer-guitarist, I played in a host of bands on instruments I don't play now:
Turkish Impact (named after a microsoft word font, we were cool, us 14 year olds) as a drummer.
The Dinner Ladies, aged 17 as a bass player. The only chick in an all male band, I wore a suit to look like a dude and they dressed as.... dinner ladies. Oh the irony.
Ghandi's Hairdryer, as a drummer, aged 17. Good name. Shit band.
Metallica Tribute band, Grimsby, drummer, aged 18. Never got out of the guitarists shed. Awful. Awful. Awful.
Xsavia, heavy metal, drummer, aged 19-22, around the dodgy rock clubs of East London.
Bush Taxi, aged 22-26, London, a cool collective of afro-cuban people and musicians, flute, vocals, drums.
More recent bands have included band-leading and singing with Ladyfunk - an all female big band I co-lead with Vanessa McGowan, playing hammond and harmonica for all female blues band Chix Wiv Pix, singing with pianist Frances Knight and singing and playing piano with harmonica player Brendan Power.
I normally earn my bread gigging in jazz ensembles and covers bands but have been leading choirs and MDing a lot since 2010, and received my first big composition commission from Arts Council England this year.
I still bandlead Abnormally Funky, a wedding and party band made up of lovely jazz players and motherfunkers from the South East, and I perform around Kent with my funk band Emily and the Beats. I also do dep work and occasional jazz gigs.
Growing up, aside from playing folk clubs as a singer-guitarist, I played in a host of bands on instruments I don't play now:
Turkish Impact (named after a microsoft word font, we were cool, us 14 year olds) as a drummer.
The Dinner Ladies, aged 17 as a bass player. The only chick in an all male band, I wore a suit to look like a dude and they dressed as.... dinner ladies. Oh the irony.
Ghandi's Hairdryer, as a drummer, aged 17. Good name. Shit band.
Metallica Tribute band, Grimsby, drummer, aged 18. Never got out of the guitarists shed. Awful. Awful. Awful.
Xsavia, heavy metal, drummer, aged 19-22, around the dodgy rock clubs of East London.
Bush Taxi, aged 22-26, London, a cool collective of afro-cuban people and musicians, flute, vocals, drums.
More recent bands have included band-leading and singing with Ladyfunk - an all female big band I co-lead with Vanessa McGowan, playing hammond and harmonica for all female blues band Chix Wiv Pix, singing with pianist Frances Knight and singing and playing piano with harmonica player Brendan Power.
If you could jam with anyone, who would it be?
Jon Cleary because he's got the funk.
Lonnie Smith because he's got the serious funk.
Allen Toussaint because he's got the more serious funk.
And the guys I play with in Abnormally Funky because they're awesome players and lovely people.
Lonnie Smith because he's got the serious funk.
Allen Toussaint because he's got the more serious funk.
And the guys I play with in Abnormally Funky because they're awesome players and lovely people.
What's the biggest audience you ever performed to? What's the smallest?
The biggest was probably at Prestatyn Blues Festival in Wales with a girl band I played Hammond with called Chix Wiv Pix. Second are festival gigs: Moare Music, Lounge on the Farm, The Hop Festival and the Oyster Festival.
The smallest was at the East Kent in Whitstable to 2-3 people on perhaps 12 different occasions. But they kept having us back. It was painful really. But bloody hell, the acoustics were smoking in that place and we were funking it.
The smallest was at the East Kent in Whitstable to 2-3 people on perhaps 12 different occasions. But they kept having us back. It was painful really. But bloody hell, the acoustics were smoking in that place and we were funking it.
You're stuck on a desert island and only get to bring one album with you. What do you pick?
The Best Of Pentangle.
The Piano soundtrack - Michael Nyman.
Queen's Greatest Hits 1.
Rumours - Fleetwood Mac
The Best of Radiohead.
The Legend of Johnny Cash.
Home - Beady Belle.
Beautifully Human - Jill Scott.
The Sound Of The Smiths - The Smiths.
The Jazz Singer - Neil Diamond.
Blue - Joni Mitchell.
Hatful of Rain - Del Amitri.
Johnny Clegg & Savuka - Cruel, Crazy, Beautiful World.
Ain't Nobody Hear But Us Chickens - Louis Jordan.
Kind Of Blue - Miles Davis.
Headhunters - Hancock.
Kate Rusby - anything by her.
Jon Cleary & The Absolute Monster Gentlemen - Jon Clearly
The Meters - Anything
Nilsson Schmilsson - Harry Nilsson.
There's more.
The Piano soundtrack - Michael Nyman.
Queen's Greatest Hits 1.
Rumours - Fleetwood Mac
The Best of Radiohead.
The Legend of Johnny Cash.
Home - Beady Belle.
Beautifully Human - Jill Scott.
The Sound Of The Smiths - The Smiths.
The Jazz Singer - Neil Diamond.
Blue - Joni Mitchell.
Hatful of Rain - Del Amitri.
Johnny Clegg & Savuka - Cruel, Crazy, Beautiful World.
Ain't Nobody Hear But Us Chickens - Louis Jordan.
Kind Of Blue - Miles Davis.
Headhunters - Hancock.
Kate Rusby - anything by her.
Jon Cleary & The Absolute Monster Gentlemen - Jon Clearly
The Meters - Anything
Nilsson Schmilsson - Harry Nilsson.
There's more.
Illustration by HINK ~ http://hinktheillustrator.wordpress.com/
Em Peasgood
- Piano
Photo
Kent, United Kingdom
Em Peasgood
- Composer
Photo
Kent, United Kingdom
Photography by Lee Thompson
Em Peasgood
- Vocals
Photo
Kent, United Kingdom
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Here is an arrangement I have been working on: As She Moved Through The Fair, featuring the voices of:
Christina Birkett (Soprano)
Em Peasgood (Alto)
Peter Futcher (Tenor)
Dominic Bevan (Baritone)
Stephen Yarrow (Bass)
Ian Button recorded this live at All Saints Church in Whitstable. It has not been edited.
Em Peasgood
- Composer
Audio
Kent, United Kingdom
The Nearness Of You, written by Hoagy Carmichael, performed by moi. I recorded onto my iphone, which I sellotaped to my front of house speaker stand, in December 2011. I just got round to listening to it and it came out quite well. It was a cold rainy night at the venue that night and there was an audience of one, but the boss wanted me to keep on. This was my last song. I think you can hear the audience member say "very good" at the end. "Thanks very much, that's it, thank you", I replied. The joy of gigs that never end. www.empeasgood.com
Em Peasgood
- Vocals/piano
Audio
Kent, United Kingdom
I just found my soul and blues show reel for lead and backing soul and blues vocals. It's been missing for two years! It's a selection of bits I recorded in my home studio in Kent, condensed into 5 minutes. 1. Ode To Billie Joe (Blues) 2. Miracle (Jazz-ish) 3. Everything Gohn Be Funky (Funk) 4. Groove Is In The Heart (Disco) 5. Sex Machine (Funk). www.empeasgood.com
Em Peasgood
- Vocals/backing vocals/piano
Audio
Kent, United Kingdom
Everything I Do Gohn Be Funky ~ an old Allen Toussaint tune, rearranged and performed by:
Em Peasgood ~ Vocals and Hammond ~ www.empeasgood.com
Brendan Power ~ Harmonica and Beats ~ www.brendan-power.com
Paul Smith ~ Guitar
Em Peasgood
- Vocals/hammond/arrangement
Audio
Kent, United Kingdom
Miracle by Frances Knight www.francesknight.info
Vocals and Percussion ~ Em Peasgood www.empeasgood.com
Piano and Accordion ~ Frances Knight
Recorded in Em's Whitstable Studio. Fondly referred to as 'Brick House' (She's a...)
Em Peasgood
- Vocals/percussion and guitar
Audio
Kent, United Kingdom
Frances Knight on Keys.
Moi on Vocals.
Em Peasgood
- Vocals
Audio
Kent, United Kingdom
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