Fandalism

UNA STORIA IMPORTANTE - Giulietta Juliet V ( E. Ramazzotti Cover) this is an old song that makes me remember memories !!!!!!!!

928

Giulietta Juliet Valenti - Guitar/ voice mix

Video

Padova, Italy

Good morning! My new composition, hope you like it! Heartfelt thanks to my friend Wynn Schaible for adding his instruments and ......... TODAY IS HIS BIRTHDAY !! It would be very nice if, taking the opportunity, all of us we did the best wishes !! Thanks and hugs !! They say if a black butterfly comes to lands on you You'll have the memory of past lives dormant memories, Resurface in you While I was wandering alone one evening Lost in my Thought Beating of wings, a black soul It rests and takes me with her .......... Endless space, the moon shines and a vast sky that makes me as a cradle I am a minstrel of many colors That lives on music, without thoughts The black butterfly is always with me By day it is a tattoo, at night a mirage Together, in harmony and freedom We live to love, not grow old The moon by night inspires me words That take shape in the sunlight We turn happy for the courts and castles We dance and we play, we are minstrels But then here he looks at me dancing And he that my heart wants to own But I'm not always that anyone I turn around and disappear, in the roar of thunder Legend that ancient know Give me the freedom that I have never had Flight with you, you take me At the time to which I belong and I've never seen Changing shape, changing essence Is metamorphoses but only in appearance I will keep my soul Flutter, this time takes away While in the sky exploding thunder I wake up and suddenly I am in chains And as if I had always known I understand that my world is over A mighty man is not to be refused And without trial they have already condemned me “Burns the witch and that her tattoo The devil has left his mark in the arm” But here in the sky, are 1000 butterflies They wrap-up, Dear sisters People screaming and looks scared then Abracadabra and the witch is gone Butterfly go, talk about me And bring light and peace to those who are blind Diversity, do fear Only to those want to love not has Legend know, eternity It is given only to those who leave something My fantasy, poetry Not even the fire can ever wipe out They say if a black butterfly, comes to rest on you the soul of a lost person, in life comes back to you As a child rests,quiet, born only an hour ago Circling the black butterfly slow And history will repeat itself ...... Monica Bergo Video divulgativo, non a scopo di lucro Broadcast video, not for profit

930

Monica Bergo - Composer and songwriter

Video

Milano, Italy

"Thanks for the Help" Time for another ukelele song. This one came about after seeing a few ukelele videos showing the two chords Fmaj7 and G6. I liked the sound of them and decided to use them both in a song, and this was the result, using a favorite technique, backward arpeggios!!

428

Mark Taylor - Ukelele

Video

California, United States

Sympathy For The Devil by the Rolling Stones. Covered by Break Cover. "Sympathy for the Devil" is a song by The Rolling Stones, written by Mick Jagger and Keith Richards and credited to Jagger/Richards. Sung by Jagger, the song is an ironic homage to the Devil, written in the first-person narrative from his point of view, recounting atrocities committed throughout the history of humanity. It is performed in a rock arrangement with a samba rhythm. It first appeared as the opening track on their 1968 album Beggars Banquet. Rolling Stone magazine placed it at No. 32 in their list of Rolling Stone's 500 Greatest Songs of All Time. In the 2012 documentary Crossfire Hurricane, Jagger stated that his influence for the song came from Baudelaire and from the Russian author Mikhail Bulgakov's novel The Master and Margarita (which had just appeared in English translation in 1967). The book was given to him by Marianne Faithfull. In a 1995 interview with Rolling Stone, Jagger said, "I think that was taken from an old idea of Baudelaire's, I think, but I could be wrong. Sometimes when I look at my Baudelaire books, I can't see it in there. But it was an idea I got from French writing. And I just took a couple of lines and expanded on it. I wrote it as sort of like a Bob Dylan song." It was Richards who suggested changing the tempo and using additional percussion, turning the folk song into a samba. By the time Beggars Banquet was released, the Rolling Stones had already raised some hackles for sexually forward lyrics such as "Let's Spend the Night Together" and for allegedly dabbling in Satanism[4](their previous album, while containing no direct Satanic references in its music or lyrics, was titled Their Satanic Majesties Request), and "Sympathy" brought these concerns to the fore, provoking media rumours and fears among some religious groups that the Stones were devil-worshippers and a corrupting influence on youth. The song may have been spared further controversy when the first single from the album, Street Fighting Man, became even more controversial in view of the race riots and student protests occurring in many cities in Europe and in the United States. In the 2003 book According to the Rolling Stones, Watts said: "'Sympathy' was one of those sort of songs where we tried everything. The first time I ever heard the song was when Mick was playing it at the front door of a house I lived in in Sussex... He played it entirely on his own... and it was fantastic. We had a go at loads of different ways of playing it; in the end I just played a jazz Latin feel in the style of Kenny Clarke would have played on 'A Night in Tunisia' – not the actual rhythm he played, but the same styling." On the overall power of the song, Jagger continued in Rolling Stone: "It has a very hypnotic groove, a samba, which has a tremendous hypnotic power, rather like good dance music. It doesn't speed up or slow down. It keeps this constant groove. Plus, the actual samba rhythm is a great one to sing on, but it is also got some other suggestions in it, an undercurrent of being primitive—because it is a primitive African, South American, Afro-whatever-you-call-that rhythm (candomblé). So to white people, it has a very sinister thing about it. But forgetting the cultural colors, it is a very good vehicle for producing a powerful piece. It becomes less pretentious because it is a very unpretentious groove. If it had been done as a ballad, it wouldn't have been as good." Aftermath[edit] In an interview with Creem, Jagger said, "[When people started taking us as devil worshippers], I thought it was a really odd thing, because it was only one song, after all. It wasn't like it was a whole album, with lots of occult signs on the back. People seemed to embrace the image so readily, [and] it has carried all the way over into heavy metal bands today." Of the change in public perception the band experienced after the song's release, Richards said in a 1971 interview with Rolling Stone, "Before, we were just innocent kids out for a good time, they're saying, 'They're evil, they're evil.' Oh, I'm evil, really? So that makes you start thinking about evil... What is evil? Half of it, I don't know how much people think of Mick as the devil or as just a good rock performer or what? There are black magicians who think we are acting as unknown agents of Lucifer and others who think we are Lucifer. Everybody's Lucifer." Contrary to a widespread misconception, it was "Under My Thumb" and not "Sympathy for the Devil" that the Rolling Stones were performing when Hunter was killed at the Altamont Free Concert.[4] Rolling Stone magazine's early articles on the incident misreported that the killing took place during "Sympathy for the Devil",[9] but the Stones in fact played "Sympathy for the Devil" earlier in the concert; it was interrupted by a fight and restarted, Jagger commenting, "We're always having—something very funny happens when we start that number." Several other songs were performed before Hunter was killed. After being omitted from the Stones' 1972/73 tours, "Sympathy for the Devil" was played occasionally as the encore in 1975/76, and has been performed regularly on all of their tours since 1989. The song has been widely covered since its release. • Sandie Shaw, on her album Reviewing the Situation (1969) • Blood, Sweat & Tears, whose version entitled "Symphony for the Devil" appeared on their third album (1970) • Bryan Ferry on his debut solo album These Foolish Things (1973) • In 2005, Cuban drummer and percussionist Horacio Hernandez ("El Negro") recorded a Latin Jazz version of the song, sung by Latin great Rubén Blades. • Indie rock bands Band of Skulls and John & Jehn covered the song for the French TV show Taratata broadcast in March 2010. • Jane's Addiction covered the song on the debut live album Jane's Addiction a studio version was used for the 5th Season last episode from Sons of Anarchy • 1999 on EP Brighter than the Sun by Tiamat. • The Industrial group Laibach released seven distinct cover versions on the Sympathy for the Devil (EP) • Ozzy Osbourne on his 2005 cover album Under Cover. • The Attack release About Time! Definitive Mod-Pop Collection 1966–68 (2006). • Incubus Succubus covered the song on their 2008 album Science and Nature • Motörhead covered the song for their 2015 album Bad Magic. This version was chosen as one of the official theme songs for Wrestlemania 32.

272

Simon Dickenson - Guitar

Video

Salisbury, United Kingdom

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